Третий рейх. Зарождение империи. 1920-1933 - Ричард Джон Эванс
315
EdgarJung, ‘Deutschland und die konservative Revolution’, in Deutsche über Deutschland (Munich, 1932), 369-82, выдержки в англ. пер. в Kaes etal., (eds.), The Weimar Republic Sourcebook, 352–4.
316
Jünger, In Stahlgewittern; see also Nikolaus Wachsmann, ‘Marching under the Swastika? Ernst Jünger and National Socialism, 1918-33’, Journal of Contemporary History, 33 (1998), 573-89.
317
Theweleit, Male Fantasies.
318
См. классическое исследован ие этих и других схожих стилей мышления: Kurt Sontheimer, Antidemokratisches Denken in der Weimarer Republik (Munich, 1978 [1962]).
319
James M. Ritchie, German Literature under National Socialism (London, 1983), 10–11; см. также: Peter Zimmermann, ‘Literatur im Dritten Reich’ в Jan Berg et ai (eds.), Sozialgeschichte der deutschen Literatur von 1918 bis zur Gegenwart (Frankfurt am Main, 1981), 361–416; Jobl Hermand and Frank Trommler, Die Kultur der Weimarer Republik (Munich, 1978), 128-92.
320
См.: Nitschke et al. (eds.) Jahrhundertwende; о «моральной панике» в вильгельмовский период см.: Richard J. Evans, Tales from the German Underworld: Crime and Punishment in the Nineteenth Century (London, 1998), 166–212; Gary Stark, ‘Pornography, Society and the Law in Imperial Germany’, Central European History, 14 (1981), 200-20; Bram Dijkstra, Idols of Perversity: Fantasies of Female Evil in Fin — de — Siecle Culture (New York, 1986); Robin Lenman, ‘Art, Society and the Law in Wilhelmine Germany: The Lex Heinze’, Oxford German Studies, 8 (1973), 86-113; Matthew Jefferies, Imperial Culture in Germany, 1871–1918 (London, 2003); о веймарской культуре см.: Peukert, The Weimar Republic, 164-77.
321
Hermand and Trommler, Die Kultur, 193–260.
322
Karen Koehler, ‘The Bauhaus, 1919–1928: Gropius in Exile and the Museum of Modern Art, N. Y., 1938’ в Richard A. Etlin (ed.), Art, Cultureand Media under the Third Reich (Chicago, 2002), 287–315; Barbara Miller Lane, Architecture and Politics in Germany, 1918–1945 (Cambridge, Mass., 1968), 70–78; Shearer West, The Visual Arts in Germany 1890–1936: Utopia and Despair (Manchester, 2000), 143-55; Hans Wingler, The Bauhaus — Weimar, Dessau, Berlin, Chicago 1919–1944 (Cambridge, Mass., 1978); Frank Whitford, The Bauhaus (London, 1984).
323
Gerald D. Feldman, ‘Right-Wing Politics and the Film Industry: Emil Georg Strauss, Alfred Hugenberg, and the UFA, 1917–1933’ в Christian Jansen etal. (eds.), Von der Aufgabe der Freiheit: Politische Verantwortung und bürgerliche Gesellschaft im 19. und 20. Jahrhundert: Festschrift für HansMommsen zum 5. November 1995 (Berlin, 1995), 219-30; Siegfried Kracauer, From Caligari to Hitler: A Psychological History of the German Film (Princeton, 1947), 214-16.
324
Andrew Kelly, Filming All Quiet on the Western Front — ‘Brutal Cutting, Stupid Censors, Bigoted Politicos’ (London, 1998) переиздана в мягкой обложке под названием All Quiet on the Western Front: The Story of a Film (London, 2002). Более общее описание веймарской культуры см. в классическом очерке: Peter Gay, Weimar Culture: The Outsider as Insider (London, 1969). Walter Laqueur, Weimar: A Cultural History 1918–1933 (London, 1974) содержит хороший обзор как консервативного большинства, так и авангардного меньшинства; см. также: Hermand and Trommler, Die Kultur; 350–437 о визуальном искусстве.
325
Erik Levi, Music in the Third Reich (London, 1994), 1-13; Hermand and Trommler, Die Kultur, 279–350.
326
Michael H. Kater, Different Drummers: Jazz in the Culture of Nazi Germany (New York, 1992), 3-28; Peter Jelavich, Berlin Cabaret (Cambridge, Mass., 1993), 202.
327
Peukert, The Weimar Republic, 178-90.
328
AT 43, in Merkl, Political Violence, 173.
329
Abrams, Workers' Culture, в частности глава 7.
330
Richard J. Evans, The Feminist Movement in Germany 1894–1933 (London, 1976), 112, 141; Rudolph Binion, Frau Lou: Nietzsche's Wayward Disciple (Princeton, 1968), 447.
331
James D. Steakley, The Homosexual Emancipation Movement in Germany (New York, 1975); John C. Fout, ‘Sexual Politics in Wilhelmine Germany: The Male Gender Crisis, Moral Purity, and Homophobia’, Journal of the History of Sexuality, 2 (1992), 388–421.
332
См.: Renate Bridenthal and Claudia Koonz, ‘Beyond Kinder; Küche, Kirche: Weimar Women in Politics and Work’ в Renate Bridenthal et al. (eds.), When Biology Became Destiny: Women in Weimar and Nazi Germany (New York, 1984), 33–65.
333
Planert, Antifeminismus.
334
Evans, The Feminist Movement, 145–201; Klaus Hohnig, Der Bund Deutscher Frauenvereineinder Weimarer Republik 1919–1923 (Egelsbach, 1995).
335
Atina Grossmann, Reforming Sex: The German Movement for Birth Control and Abortion Reform 1920–1950 (New York, 1995), 16; Steakley, The Homosexual Emancipation Movement; Fout, ‘Sexual Polities'; Charlotte Wolf’, Magnus Hirschfeld: A Portrait of a Pioneer in Sexology (London, 1986).
336
James Woycke, Birth Control in Germany 1871–1933 (London, 1988), 113-16, 121, 147-8; Grossmann, Reforming Sex; Cornelie Usborne,
The Politics of the Body in Weimar Germany: Women's Reproductive Rights and Duties (London, 1991).
337
Clifford Kirkpatrick, Nazi Germany: Its Women and Family Life (New York, 1938), 36; Elizabeth Harvey, ‘Serving the Volk, Saving the Nation: Women in the Youth Movement and the Public Sphere in Weimar Germany’ в Larry Eugene Jones and James Retallack (eds.), Elections, Mass Politics, and Social Change in Modern Germany: New Perspectives (New York, 1992), 201-22; Irene Stoehr, ‘Neue Frau und alte Bewegung? Zum Generationskonflikt in der Frauenbewegung der Weimarer Republik’ в Jutta Dalhoff et al. (eds.), Frauenmacht in der Geschichte (Düsseldorf, 1986), 390–400; Atina Grossmann, ‘«Girlkultur» or Thoroughly Rationalized Female: A New Woman in Weimar Germany’ в Judith Friedlander et al. (eds.), Women in Culture and Politics: A Century of Change (Bloomington, Ind., 1986),
